Mike Glier
Steady Rain2023, acrylic on paper mounted on panel, 18"x24"
Breeze in an Aspen Grove.2024, acrylic and charcoal on linen, 72"x45"
On the shortest night this fragrance came through my window.2024, acrylic and charcoal on aluminum panel, 60"x40"; framed 61.5"x41.5"
The Ocean Holding Trash2024, acrylic and charcoal on linen, 84"x48"
The Ocean Holding Trash v.22024, acrylic on paper, 19.75"x26"
Very Tiny Things Own the Planet2024, acrylic on paper mounted on panel, 9"x12"
Storms Splitting Water into Light2024, acrylic and charcoal on linen, 48"x84"
Goldfinch Quarreling2023, Acrylic, charcoal on wooden panel, 30"x40"
When the Last Monarch Leaves New York This Painting Will Shake and Moan2023, acrylic on panel, 36"x48"
Broad Brook. v102023, Acrylic and charcoal on linen, 48"x84"
A Light Breeze through the Last of the Leaves in November V.92023, acrylic on linen, 48"x84"
A Light Breeze Through the Last of the Leaves in November V.82023, acrylic on linen, 45"x72"
Frost Settling2023, acrylic, charcoal on linen, 36"x72"
Mid-January Morning.2023, acrylic on panel, 40"x60"
Ice in Sun2023, acrylic on linen, 48"x84"
Sun on Ice v.22023, acrylic, pencil on linen, 45"x72"
Doe Inhaling Spring2023, acrylic on linen, 36"x72"
Bees Finding Pleasure #22023, acrylic, charcoal on panel, 40"x30"
The Evensong of Animals2023, acrylic on linen, 48"x84"
The Evensong of Animals v.22023, acrylic on linen, 45"x72"
A Breeze Becoming Wind2022, acrylic on panel, 36"x48"
In the middle of May, this fragrance came through my window.2022, acrylic paint and charcoal on panel, 48"x36"
On the first of June, this fragrant breeze came through my window.2022, acrylic on panel, 40"x30"
Fox Listening2022, acrylic on panel, 36"x48"
Trees Sharing Information v.52022, acrylic on panel, 40"x60"
Trees Sharing Information v.62022, acrylic, charcoal on panel, 60"x40"
Fawn Exhaling2022, acrylic on canvas, 48"x82"
Bluebirds Flocking as Fall Approaches2022, acrylic, charcoal on canvas, 45"x72"
Bees Finding Pleasure v.42022, acrylic, charcoal on panel, 40"x60"
Bears Listening2021, acrylic on panel, 36"x48"
Great Blue Heron Leaving2021, acrylic, charcoal on aluminum panel, 40"x60"
Moose Leaving2021, acrylic, charcoal on panel, 36"x48"

Answer Music is an extended series of drawings and paintings which record an exchange with the living world. The title, Answer Music, is another term for “call and response”, a form of worship in which the preacher makes a declaration and the congregation responds with fervid unity. To make these works I first take a walk and I find a good place to sit and wait for the call. If I’m near a river, the prompt may be a sound, like the mix of low rumbling and cheerful bubbling made by shallow water as it passes quickly over stones. Or if I’m in the woods, it might be a movement, like the trajectory of a dying leaf as it falls in a series of quick arcs to the ground. Once noted, I respond to this little gift by sketching motifs that seem essential to it. I take these notes back to the studio and assemble them on paper, often in horizontal lines as if they were a musical score. These works are rhythmic and repetitive like time spent watching a river and when I make them, I try to be as constant as the river. As hard as I try to be regular and repetitive, however, I can never sustain it. My arm tires, or my mind wanders and as a result the mark changes; but it’s these little failures which insert change into the process that I find most poignant, since they represent the mutability of life. At moments like this, I often think of John Cage and his passion for chance as the driving force in any creative, dynamic adventure. And as I collect motifs and combine them, I think of Sol Lewitt and his fascination with variables and the potential for beauty to be discovered in their permutations. But I also think about Robin Wall Kimmerer, a botanist, and citizen of the Potawatomi Nation who has written about the grammar of animacy, which is a language that has few nouns to indicate uniqueness, but endless verbs to describe the ceaseless exchange between all things. In the series, “Answer Music”, it’s my hope that through the direct study of nature I can find the abstract motifs and rhythms that depict, not the things, but the dynamic relationship between things and create a grammar of animacy in drawing and painting. 

Artworks